In this piece, the voice of a 92-year-old woman —the artist’s grandmother— becomes a territory in transformation. What begins as a documentary gesture, an intimate conversation about youth and memory, gradually unfolds into a polyphony of distorted voices. Memory, already uncertain, rewrites itself through layers of manipulated sound.

The work explores the distance between what is remembered and what is invented, between the human voice and its electronic specter. In the final crescendo, where noise emerges as both matter and revelation, language dissolves to give way to a new kind of presence: a memory made of frequencies, interferences, and echoes.